RIENCD16
Hugo Aisemberg: Solo Tango
Tracks:
1. Astor Piazzolla:
BUENOS AIRES HORA CERO (1963) Tango 4:03
2. Astor Piazzolla: MILONGA DEL
ANGEL (1965) Milonga 3:58
3. Astor Piazzolla: MUERTE DEL
ANGEL (1965) Tango 1:57
4. Julian Plaza: NOSTALGICO (1962)
Tango 3:55
5. Emilio Balcarce: LA BORDONA
(1958) Tango 3:22
6. Anibal Troilo: ROMANCE DE BARRIO
(1947) Valse 2:38
7. Astor Piazzolla: PICASSO (1955)
Tango 4:06
8. Astor Piazzolla: MARRON Y AZUL
(1955) Tango 3:13
9. Astor Piazzolla: S.V.P. (1955)
Tango 3:08
10. Horacio Salgàn: A FUEGO LENTO
(1950) Tango 2:36
11. Horacio Salgàn: DON AGUSTIN
BARDI (1947) Tango 3:15
12. Horacio Salgàn: GRILLITO (1950)
Tango 2:46
13. Astor Piazzolla: ROMANZA DEL DUENDE
(1968) Tango-Romanze 5:05
14. Astor Piazzolla: RETRATO DE ALFREDO
GOBBI (1967) Tango 4:10
15. Alfredo Gobbi CAMANDULAJE (1954) Tango
3:16
16. Enrique Pedro Delfino: GRISETA (1924)
Tango-Romanze 3:18
Hugo Aisemberg, piano
Recorded March 1998 in Berlin
Date of release: 10/08/98
total time: 55:30
20-page-booklet in Italian, French and
German
My name ist Hugo Aisemberg. I was born in Buenos
Aires sixty years ago. Since 1971 I live in Italy. From childhood I started
taking piano lessons, but my classical education didn't allow me to concern
myself thoroughly with tango music. In 1965 I finally decided to tear down
that absurd barrier und started to publicly perform both classical music
and works of Astor Piazzolla. Back then I wouldn't have dreamt of recording
a CD completely devoted to the tango. This kind of music has always been
fascinating me, and all along I was having a feeling that it definitely
was a part of my artistic life. I believe that the tango an everything
it presents finally has made its arrival in global culture. I don't think
that tango is a music that should be restricted to its traditional places
– it just as well fits into our concert halls. That's the reason I always
pursued this line of music very purposeful, without ever coming to a standstill.
But most of all I listened to the great tango masters of the Forties: Anibal
Troilo, Osvaldo Pugliese, Carlos Di Sarli, Miguel Caló, Osvaldo
Fresedo, Horacio Salgán, Enrique Mario Francini, Astor Piazzolla,
Alfredo Gobbi, Ricardo Tanturi, Armando Pontier and many others. Living
in Italy allowed me to dedicate myself to this music without conflicts.
I could perform it everywhere and thus make it accessible to very many
young instrumentalists. I am convinced they'll follow the path that I have
cleared. The CD in hand is the result of more than 30 years of thorough,
respectful and passionate work, and I am very happy that it could be accomplished.